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X
QUINN, IAN
1023  Ergebnisse:
Personensuche X
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1

Tonal Harmony:

, In: The Oxford handbook of critical concepts in music theory / edited by Alexander Rehding and Steven Rings
Quinn, Ian. (2019) 
Link: https://doi.org/10.1093/..
 
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2

Chord Context and Harmonic Function in Tonal Music:

White, Christopher WM ; Quinn, Ian
Music Theory Spectrum.  40 (2018)  2 - p. 314-335O , 2018
Link: https://doi.org/10.1093/..
 
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3

Chord Context and Harmonic Function in Tonal Music:

WHITE, CHRISTOPHER WM. ; QUINN, IAN
Music Theory Spectrum.  40 (2018)  2 - p. 314-337 , 2018
Link: https://www.jstor.org/st..
 
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4

Corpus-Derived Key Profiles Are Not Transpositionally Equiv..:

Quinn, Ian ; White, Christopher Wm.
Music Perception: An Interdisciplinary Journal.  34 (2017)  5 - p. 531-540 , 2017
Link: https://www.jstor.org/st..
 
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5

The Yale-Classical Archives Corpus:

White, Christopher William ; Quinn, Ian
Empirical Musicology Review.  11 (2016)  1 - p. 50-58 , 2016
Link: https://doi.org/10.18061..
 
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6

Ian Quinn Responds:

Quinn, Ian
Music Theory Spectrum.  33 (2011)  1 - p. 106-106 , 2011
Link: https://doi.org/10.1525/..
 
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7

Ian Quinn Responds:

Quinn, Ian
Music Theory Spectrum.  33 (2011)  1 - p. 106 ff. , 2011
Link: https://www.jstor.org/st..
 
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8

On Woolhouse's Interval-Cycle Proximity Hypothesis:

Quinn, Ian
Music Theory Spectrum.  32 (2010)  2 - p. 172-179 , 2010
Link: https://doi.org/10.1525/..
 
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9

On Woolhouse's Interval-Cycle Proximity Hypothesis:

Quinn, Ian
Music Theory Spectrum.  32 (2010)  2 - p. 172-179 , 2010
Link: https://www.jstor.org/st..
 
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10

Generalized Voice-Leading Spaces:

Callender, Clifton ; Quinn, Ian ; Tymoczko, Dmitri
Science.  320 (2008)  5874 - p. 346-348 , 2008
Link: https://www.jstor.org/st..
 
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11

Generalized Voice-Leading Spaces:

Callender, Clifton ; Quinn, Ian ; Tymoczko, Dmitri
Science.  320 (2008)  5874 - p. 346-348 , 2008
Link: https://doi.org/10.1126/..
 
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12

General Equal-Tempered Harmony: Parts 2 and 3:

Quinn, Ian
Perspectives of New Music.  45 (2007)  1 - p. 4-63 , 2007
Link: https://www.jstor.org/st..
 
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13

General Equal-Tempered Harmony (Introduction and Part I):

Quinn, Ian
Perspectives of New Music.  44 (2006)  2 - p. 114-158 , 2006
Link: https://www.jstor.org/st..
 
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14

Minimal Challenges: Process Music and the Uses of Formalist..:

Quinn, Ian
Contemporary Music Review.  25 (2006)  3 - p. 283-294 , 2006
Link: https://doi.org/10.1080/..
 
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15

Listening to Similarity Relations:

Quinn, Ian
Perspectives of New Music.  39 (2001)  2 - p. 108-158 , 2001
Link: https://www.jstor.org/st..
 
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