Simpson, Hannah
21  results:
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1

Decolonisation and the Theatre of the Absurd:

, In: The Routledge Companion to Absurdist Literature,
Barilar, Nic ; Simpson, Hannah - p. 472-483 , 2024
 
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2

United Kingdom:

, In: The Routledge Companion to Contemporary European Theatre and Performance,
Haddow, Sam ; Simpson, Hannah ; Reid, Trish. - p. 275-284 , 2023
 
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3

Not I: Touretteshero, 2017–2020:

, In: New Interpretations of Beckett in the Twenty-First Century; Samuel Beckett and Disability Performance,
Simpson, Hannah - p. 103-148 , 2022
 
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4

Introduction: Beckett's Disabled Bodies:

, In: New Interpretations of Beckett in the Twenty-First Century; Samuel Beckett and Disability Performance,
Simpson, Hannah - p. 1-16 , 2022
 
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5

The Endgame Project: Me to Play, 2012:

, In: New Interpretations of Beckett in the Twenty-First Century; Samuel Beckett and Disability Performance,
Simpson, Hannah - p. 63-101 , 2022
 
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6

Epilogue: Disability Performance and the Virtuosic Body:

, In: New Interpretations of Beckett in the Twenty-First Century; Samuel Beckett and Disability Performance,
Simpson, Hannah - p. 201-221 , 2022
 
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7

Waiting for Godot: Culture Device and Hackney Showroom, 201:

, In: New Interpretations of Beckett in the Twenty-First Century; Samuel Beckett and Disability Performance,
Simpson, Hannah - p. 149-199 , 2022
 
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8

Cruelty, Contagion, and Comedy: Waiting for Godot:

, In: Samuel Beckett and the Theatre of the Witness,
Simpson, Hannah - p. 55-77 , 2022
 
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9

Testimony and Trauma: Not I and Marguerite Duras's L'Amante..:

, In: Samuel Beckett and the Theatre of the Witness,
Simpson, Hannah - p. 125-154 , 2022
 
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10

'PAIN PAIN PAIN': Samuel Beckett, the Second World War, and..:

, In: Samuel Beckett and the Theatre of the Witness,
Simpson, Hannah - p. 1-29 , 2022
 
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11

Transcending Pain, Theatricalising Pain: Happy Days, Play, ..:

, In: Samuel Beckett and the Theatre of the Witness,
Simpson, Hannah - p. 101-124 , 2022
 
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12

The Aesthetic of the Anaesthetic: Endgame and Pablo Picasso:

, In: Samuel Beckett and the Theatre of the Witness,
Simpson, Hannah - p. 78-100 , 2022
 
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13

The Indifferent Spectator: Eleutheria and Albert Camus:

, In: Samuel Beckett and the Theatre of the Witness,
Simpson, Hannah - p. 30-54 , 2022
 
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14

Endgame: Theatre Workshop Scotland, 2007:

, In: New Interpretations of Beckett in the Twenty-First Century; Samuel Beckett and Disability Performance,
Simpson, Hannah - p. 17-61 , 2022
 
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15

Breath: Distance, Intimacy, and the Empathic:

, In: Samuel Beckett and the Theatre of the Witness,
Simpson, Hannah - p. 155-162 , 2022
 
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