McCormack, Jon
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5

Reflexive-vr.com:Reconfiguring a physical VR exhibition int..:

Bahng, Sojung ; Dziekan, Vince ; McCormack, Jon
Bahng , S , Dziekan , V & McCormack , J 2022 , Reflexive-vr.com : Reconfiguring a physical VR exhibition into an online virtual exhibition due to the COVID-19 pandemic . in ISEA2022 Barcelona Proceedings : Possibles . Universitat Oberta de Catalunya , Barcelona, Spain , pp. 107-114 , International Symposium on Electronic Art 2022 , Barcelona , Spain , 10/06/22 ..  , 2022
 
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6

Knowing VR through Practice:

Dziekan, Vince ; Bahng, Sojung ; Raby, Oscar..
Dziekan , V , Bahng , S , Raby , O , Ivsic , L & McCormack , J 2022 , Knowing VR through Practice . in ISEA2022 Barcelona Proceedings : Possibles . Universitat Oberta de Catalunya , Barcelona, Spain , pp. 250-256 , International Symposium on Electronic Art 2022 , Barcelona , Spain , 10/06/22 ..  , 2022
 
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8

Complexity and aesthetics in generative and evolutionary ar:

McCormack, Jon ; Cruz Gambardella, Camilo
McCormack , J & Cruz Gambardella , C 2022 , ' Complexity and aesthetics in generative and evolutionary art ' , Genetic Programming and Evolvable Machines , vol. 23 , pp. 535–556 . https://doi.org/10.1007/s10710-022-09429-9.  , 2022
 
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9

AirSticks 2.0:Instrument design for expressive gestural int..:

Trolland, Sam ; Frame, Ciaran ; Wilson, Elliott..
Trolland , S , Frame , C , Wilson , E , McCormack , J & Ilsar , A 2022 , AirSticks 2.0 : Instrument design for expressive gestural interaction . in S Leitman (ed.) , International Conference on New Interfaces for Musical Expression, NIME 2022 . Proceedings of the International Conference on New Interfaces for Musical Expression , NIME , USA , New Interfaces for Musical Expression 2022 , 28/06/22 . https://doi.org/10.21428/92fbeb44.c400bdc2.  , 2022
 
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11

The Value of AI Art:

McCormack, Jon
McCormack , J 2022 , The Value of AI Art . in M Carvalhais , A Rangel , L Ribas & M Verdicchio (eds) , The Book of X : 10 Years of Computation, Communication, Aesthetics & X . i2ADS: Research Institute in Art, Design and Society , Porto Portugal , pp. 181-192 ..  , 2022
 
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