E-LIB Suche - Ergebnisse für: Pearce, David G.

1

Characterization and dating of San rock art in the Metolong..:

Bonneau, Adelphine ; Pearce, David G. ; Mitchell, Peter J....
Quaternary International. 611-612 (2022) - p. 177-189 , 2022

Link: https://doi.org/10.1016/..

2

Relational Contracts: Reputation and Renegotiation:

Pearce, David G. ; Stacchetti, Ennio
Journal of Institutional and Theoretical Economics. 178 (2022) Online First - p. 1 , 2022

Link: https://doi.org/10.1628/..

3

Nodes of Interaction: Changing Rock Paintings in the Easter..:

, In: Archaeologies of Cultural Contact,

Mallen, Lara ; Pearce, David G. - p. 44-61 , 2022

Link: https://doi.org/10.1093/..

4

Interpreting unusual imagery: a rare rock art depiction of ..:

Pearce, David G.
Azania: Archaeological Research in Africa. 57 (2022) 2 - p. 239-251 , 2022

Link: https://doi.org/10.1080/..

5

The devil's in the detail: revisiting the ceiling panel at ..:

David Lewis-Williams, J. ; Pearce, David G. ; Witelson, David M..
Azania: Archaeological Research in Africa. 56 (2021) 1 - p. 34-59 , 2021

Link: https://doi.org/10.1080/..

6

RESPONSE TO DISCUSSION: NEW METHODS FOR DIRECT DATING OF SO..:

BONNEAU, ADELPHINE ; PEARCE, DAVID G. ; MITCHELL, PETER J..
The South African Archaeological Bulletin. 75 (2020) 213 - p. 164-168 , 2020

Link: https://www.jstor.org/st..

7

TWO NEW ROCK PAINTING SITES IN THE MPUMALANGA HIGHLANDS, SO..:

PEARCE, DAVID G. ; JOHNSON, KIAH ; MACCONACHIE, KAYLA..
The South African Archaeological Bulletin. 74 (2019) 209 - p. 42-45 , 2019

Link: https://www.jstor.org/st..

8

San rock art: evidence and argument:

Lewis-Williams, J. David ; Pearce, David G.
Antiquity. 89 (2015) 345 - p. 732-739 , 2015

Link: https://doi.org/10.15184..

9

SPATIAL DISTRIBUTION OF ROCK ART SITES IN DIDIMA GORGE, SOU..:

Challis, Sam ; Lewis-Williams, J. David ; Loubser, Johannes H. N..
American Antiquity. 77 (2012) 4 - p. 808-812 , 2012

Link: https://www.jstor.org/st..

10

Spatial Distribution of Rock Art Sites in Didima Gorge, Sou..:

Challis, Sam ; Lewis-Williams, J. David ; Loubser, Johannes H.N..
American Antiquity. 77 (2012) 4 - p. 808-812 , 2012

Link: https://doi.org/10.7183/..

11

FRAMED IDIOSYNCRASY: METHOD AND EVIDENCE IN THE INTERPRETAT..:

LEWIS-WILLIAMS, J. DAVID ; PEARCE, DAVID G.
The South African Archaeological Bulletin. 67 (2012) 195 - p. 75-87 , 2012

Link: https://www.jstor.org/st..

12

AN UNUSUAL CASE OF OVERPAINTING IN AN EASTERN CAPE PROVINCE..:

PEARCE, DAVID G. ; GEORGE, LEANNE
The South African Archaeological Bulletin. 66 (2011) 194 - p. 173-177 , 2011

Link: https://www.jstor.org/st..

13

THE HARRIS MATRIX TECHNIQUE IN THE CONSTRUCTION OF RELATIVE..:

PEARCE, DAVID G.
The South African Archaeological Bulletin. 65 (2010) 192 - p. 148-153 , 2010

Link: https://www.jstor.org/st..

14

CONSERVATION AND MANAGEMENT OF COLLAPSING ROCK PAINTINGS: T..:

PEARCE, DAVID G.
The South African Archaeological Bulletin. 65 (2010) 191 - p. 96-103 , 2010

Link: https://www.jstor.org/st..

15

An introduction to the rock art of the Malilangwe Conservat..:

Pearce, David G.
Azania: Archaeological Research in Africa. 44 (2009) 3 - p. 331-342 , 2009

Link: https://doi.org/10.1080/..