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FROM COTTON FIELD TO CONCERT STAGE:: THE ICONOGRAPHY OF LAT..:
, In:
Belonging, Detachment and the Representation of Musical Identities in Visual Culture
,
Wheeler, Maurice B.
- p. 613-630 , 2023
Link:
https://doi.org/10.2307/jj.5211766.29
RT T1 <cTitle>Belonging, Detachment and the Representation of Musical Identities in Visual Culture</cTitle>: T1 <Title>FROM COTTON FIELD TO CONCERT STAGE:: THE ICONOGRAPHY OF LATE-NINETEENTH-AND EARLY-TWENTIETH-CENTURY AFRICAN AMERICAN CONCERT ARTISTS' JOURNEY TOWARD PARITY</Title> UL https://suche.suub.uni-bremen.de/peid=cr-10.2307_jj.5211766.29&Exemplar=1&LAN=DE A1 Wheeler, Maurice B. PB Hollitzer Verlag YR 2023 SP 613 OP 630 LK http://dx.doi.org/https://doi.org/10.2307/jj.5211766.29 DO https://doi.org/10.2307/jj.5211766.29 SF ELIB - SuUB Bremen
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