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1 Ergebnisse
1
Preserved for Posterity? Present Bias and the Status of Gri..:
Steve Jones
Journal of Film and Video. 70 (2018) 1 - p. 3-16 , 2018
Link:
https://www.jstor.org/stable/10.5406/jfilmvideo.70.1.0..
RT Journal T1
Preserved for Posterity? Present Bias and the Status of Grindhouse Films in the "Home Cinema" Era
UL https://suche.suub.uni-bremen.de/peid=jstor-10.5406_jfilmvideo.70.1.0003&Exemplar=1&LAN=DE A1 Steve Jones PB University of Illinois Press YR 2018 SN 0742-4671 SN 1934-6018 K1 Behavioral sciences K1 Anthropology K1 Applied anthropology K1 Cultural anthropology K1 Cultural studies K1 Film studies K1 Movies K1 Arts K1 Art theory K1 Art criticism K1 Film criticism K1 Applied sciences K1 Engineering K1 Optical engineering K1 Optical equipment K1 Photographic equipment K1 Photographic film K1 Film prints K1 Business K1 Industry K1 Industrial sectors K1 Cultural industries K1 Entertainment industries K1 Motion picture industry K1 Leisure studies K1 Recreation K1 Entertainment K1 Business administration K1 Corporate governance K1 Corporate boards K1 Boards of trustees K1 Exhibitions K1 Social sciences K1 Population studies K1 Human populations K1 Persons K1 Consumers K1 Audiences K1 Psychology K1 Cognitive psychology K1 Emotion K1 Emotional states K1 Nostalgia K1 Visual arts K1 Graphic arts K1 Image editing K1 Film editing JF Journal of Film and Video VO 70 IS 1 SP 3 OP 16 LK http://dx.doi.org/https://www.jstor.org/stable/10.5406/jfilmvideo.70.1.0003 DO https://www.jstor.org/stable/10.5406/jfilmvideo.70.1.0003 SF ELIB - SuUB Bremen
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