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FRAMED IDIOSYNCRASY: METHOD AND EVIDENCE IN THE INTERPRETAT..:
LEWIS-WILLIAMS, J. DAVID
;
PEARCE, DAVID G.
The South African Archaeological Bulletin. 67 (2012) 195 - p. 75-87 , 2012
Link:
https://www.jstor.org/stable/23631394
RT Journal T1
FRAMED IDIOSYNCRASY: METHOD AND EVIDENCE IN THE INTERPRETATION OF SAN ROCK ART
UL https://suche.suub.uni-bremen.de/peid=jstor-23631394&Exemplar=1&LAN=DE A1 LEWIS-WILLIAMS, J. DAVID A1 PEARCE, DAVID G. PB SOUTH AFRICAN ARCHAEOLOGICAL SOCIETY IN ASSOCIATION WITH ASAPA YR 2012 SN 0038-1969 K1 Arts K1 Art history K1 Art genres and movements K1 Rock art K1 Visual arts K1 Painting K1 Rock paintings K1 Behavioral sciences K1 Anthropology K1 Ethnology K1 Ethnography K1 Religion K1 Theology K1 Practical theology K1 Spiritual leaders K1 Shamans K1 Psychology K1 Cognitive psychology K1 Perception K1 Hallucination K1 Biological sciences K1 Biology K1 Zoology K1 Animals K1 Mammals K1 Ungulates K1 Ruminants K1 Antelopes K1 Health sciences K1 Medical specialties K1 Neurology K1 Neuropsychology K1 Social sciences K1 Archaeology K1 Archaeological paradigms K1 Physical sciences K1 Earth sciences K1 Geography K1 Geomorphology K1 Topography K1 Fall lines K1 Performing arts K1 Dance JF The South African Archaeological Bulletin VO 67 IS 195 SP 75 OP 87 LK http://dx.doi.org/https://www.jstor.org/stable/23631394 DO https://www.jstor.org/stable/23631394 SF ELIB - SuUB Bremen
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