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The Introduction of Modern Art in Holland, Picasso as pars ..:
van Adrichem, Jan
Simiolus: Netherlands Quarterly for the History of Art. 21 (1992) 3 - p. 162-211 , 1992
Link:
https://www.jstor.org/stable/3780748
RT Journal T1
The Introduction of Modern Art in Holland, Picasso as pars pro toto, 1910-30
UL https://suche.suub.uni-bremen.de/peid=jstor-3780748&Exemplar=1&LAN=DE A1 van Adrichem, Jan PB Foundation for Dutch-Art Historical Publications YR 1992 SN 0037-5411 K1 Arts K1 Art history K1 Art genres and movements K1 Modernist art K1 Cubism K1 Art periods K1 Modern art K1 Arts participation K1 Art exhibitions K1 Symbolist art K1 Abstract art K1 Behavioral sciences K1 Anthropology K1 Applied anthropology K1 Cultural anthropology K1 Cultural institutions K1 Museums K1 Art museums K1 Impressionism K1 Social sciences K1 Communications K1 Semiotics K1 Symbolism K1 Expressionism JF Simiolus: Netherlands Quarterly for the History of Art VO 21 IS 3 SP 162 OP 211 LK http://dx.doi.org/https://www.jstor.org/stable/3780748 DO https://www.jstor.org/stable/3780748 SF ELIB - SuUB Bremen
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