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Collectors of Modern Art in Holland: Picasso as pars pro to..:

van Adrichem, Jan
Simiolus: Netherlands Quarterly for the History of Art. 22 (1993) 3 - p. 148-198 , 1993

Link: https://www.jstor.org/stable/3780822

RT Journal
T1 <Title>Collectors of Modern Art in Holland: Picasso as pars pro toto, 1920-40</Title>

UL https://suche.suub.uni-bremen.de/peid=jstor-3780822&Exemplar=1&LAN=DE
				
A1 van Adrichem, Jan
PB Foundation for Dutch-Art Historical Publications
YR 1993
SN 0037-5411
K1 Arts
K1 Art history
K1 Art genres and movements
K1 Modernist art
K1 Cubism
K1 Art periods
K1 Modern art
K1 Behavioral sciences
K1 Anthropology
K1 Applied anthropology
K1 Cultural anthropology
K1 Cultural institutions
K1 Museums
K1 Art museums
K1 Arts participation
K1 Art exhibitions
K1 Leisure studies
K1 Recreation
K1 Hobbies
K1 Collecting
K1 Art collecting
K1 Art dealing
K1 Entertainment
K1 Exhibitions
K1 Museum exhibits
K1 Expressionism
K1 Political science
K1 Military science
K1 Armed conflict
K1 War
K1 War theaters
K1 World wars
JF Simiolus: Netherlands Quarterly for the History of Art
VO 22
IS 3
SP 148
OP 198
LK http://dx.doi.org/https://www.jstor.org/stable/3780822
DO https://www.jstor.org/stable/3780822
SF ELIB - SuUB Bremen

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