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The Real Movie: Reenactment, Spectacle, and Recovery in Pie..:

Erickson, Ruth
Framework: The Journal of Cinema and Media. 50 (2009) 1/2 - p. 107-124 , 2009

Link: https://www.jstor.org/stable/41552542

RT Journal
T1 <Title>The Real Movie: Reenactment, Spectacle, and Recovery in Pierre Huyghe's "The Third Memory"</Title>

UL https://suche.suub.uni-bremen.de/peid=jstor-41552542&Exemplar=1&LAN=DE
				
A1 Erickson, Ruth
PB Wayne State University Press
YR 2009
SN 0306-7661
SN 1559-7989
K1 Philosophy
K1 Applied philosophy
K1 Social philosophy
K1 Social criticism
K1 Critical theory
K1 Interactionism
K1 Situationism
K1 Spectacle
K1 Behavioral sciences
K1 Anthropology
K1 Applied anthropology
K1 Cultural anthropology
K1 Cultural studies
K1 Film studies
K1 Movies
K1 Psychology
K1 Cognitive psychology
K1 Memory
K1 Arts
K1 Art history
K1 Art periods
K1 Modern art
K1 Arts participation
K1 Art exhibitions
K1 Art theory
K1 Art criticism
K1 Film criticism
K1 Political science
K1 Government
K1 Government services
K1 Law enforcement
K1 Police
K1 Literature
K1 Literary genres
K1 Fiction
K1 Art genres and movements
K1 Postmodern art
JF Framework: The Journal of Cinema and Media
VO 50
IS 1/2
SP 107
OP 124
LK http://dx.doi.org/https://www.jstor.org/stable/41552542
DO https://www.jstor.org/stable/41552542
SF ELIB - SuUB Bremen

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