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The Concept of Self and Postmodern Painting: Constructing a..:

Dunning, William V.
The Journal of Aesthetics and Art Criticism. 49 (1991) 4 - p. 331-336 , 1991

Link: https://www.jstor.org/stable/431033

RT Journal
T1 <Title>The Concept of Self and Postmodern Painting: Constructing a Post-Cartesian Viewer</Title>

UL https://suche.suub.uni-bremen.de/peid=jstor-431033&Exemplar=1&LAN=DE
				
A1 Dunning, William V.
PB The American Society for Aesthetics
YR 1991
SN 0021-8529
SN 1540-6245
K1 Behavioral sciences
K1 Psychology
K1 Personality psychology
K1 Personality
K1 Self
K1 Arts
K1 Art history
K1 Art genres and movements
K1 Postmodern art
K1 History
K1 Historical methodology
K1 Historiography
K1 History of philosophy
K1 Postmodern philosophy
K1 Philosophy
K1 Metaphysics
K1 Philosophy of mind
K1 Dualism
K1 Cartesianism
K1 Art periods
K1 Renaissance art
K1 Mathematics
K1 Pure mathematics
K1 Geometry
K1 Euclidean geometry
K1 Plane geometry
K1 Geometric planes
K1 Art theory
K1 Art criticism
K1 Social sciences
K1 Communications
K1 Semiotics
K1 Semiotic signs
K1 Abstract art
K1 Cognitive psychology
K1 Perception
K1 Pain perception
JF The Journal of Aesthetics and Art Criticism
VO 49
IS 4
SP 331
OP 336
LK http://dx.doi.org/https://www.jstor.org/stable/431033
DO https://www.jstor.org/stable/431033
SF ELIB - SuUB Bremen

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