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Phonography, Rock Records, and the Ontology of Recorded Mus..:
Brown, Lee B.
The Journal of Aesthetics and Art Criticism. 58 (2000) 4 - p. 361-372 , 2000
Link:
https://www.jstor.org/stable/432181
RT Journal T1 <Title>Phonography, Rock Records, and the Ontology of Recorded Music</Title> UL https://suche.suub.uni-bremen.de/peid=jstor-432181&Exemplar=1&LAN=DE A1 Brown, Lee B. PB The American Society for Aesthetics YR 2000 SN 0021-8529 SN 1540-6245 K1 Arts K1 Performing arts K1 Music K1 Music genres K1 Popular music K1 Rock music K1 Musical performance K1 Philosophy K1 Axiology K1 Aesthetics K1 Applied aesthetics K1 Musical aesthetics K1 Applied philosophy K1 Philosophy of music K1 Musical ontology K1 Art theory K1 Mimesis K1 Artistic representation K1 Electronic music K1 Musique concrete K1 Jazz K1 High culture K1 Art music K1 Western art music K1 Instrumental music K1 Chamber music K1 Duets K1 Singing JF The Journal of Aesthetics and Art Criticism VO 58 IS 4 SP 361 OP 372 LK http://dx.doi.org/https://www.jstor.org/stable/432181 DO https://www.jstor.org/stable/432181 SF ELIB - SuUB Bremen
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