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Joseph Merlin in London, 1760-1803: the Man behind the Mask..:
Debenham, Margaret
Royal Musical Association Research Chronicle. 45 (2014) - p. 130-163 , 2014
Link:
https://www.jstor.org/stable/44858972
RT Journal T1
Joseph Merlin in London, 1760-1803: the Man behind the Mask. New Documentary Sources
UL https://suche.suub.uni-bremen.de/peid=jstor-44858972&Exemplar=1&LAN=DE A1 Debenham, Margaret PB The Royal Musical Association YR 2014 SN 1472-3808 SN 2167-4027 K1 Arts K1 Performing arts K1 Music K1 Musical instruments K1 Early musical instruments K1 Harpsichords K1 String instruments K1 Keyboard instruments K1 Pianos K1 Pianofortes K1 Law K1 Civil law K1 Property law K1 Intellectual property law K1 Patent law K1 Patents K1 Social sciences K1 Communications K1 Advertising K1 Advertising campaigns K1 High culture K1 Art music K1 Western art music K1 Instrumental music K1 Keyboard music K1 Behavioral sciences K1 Anthropology K1 Applied anthropology K1 Cultural anthropology K1 Cultural institutions K1 Archives K1 National archives K1 Lutes K1 Double basses K1 Violins JF Royal Musical Association Research Chronicle VO 45 SP 130 OP 163 LK http://dx.doi.org/https://www.jstor.org/stable/44858972 DO https://www.jstor.org/stable/44858972 SF ELIB - SuUB Bremen
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