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1 Ergebnisse
1
Arcadelt's "Amor, tu sai" in an Anonymous Allegory:
Slim, H. Colin
I Tatti Studies in the Italian Renaissance. 2 (1987) - p. 91-106 , 1987
Link:
https://www.jstor.org/stable/4603654
RT Journal T1
Arcadelt's "Amor, tu sai" in an Anonymous Allegory
UL https://suche.suub.uni-bremen.de/peid=jstor-4603654&Exemplar=1&LAN=DE A1 Slim, H. Colin PB Leo S. Olschki YR 1987 SN 0393-5949 SN 2037-6731 K1 Arts K1 Performing arts K1 Music K1 Music genres K1 Popular music K1 Popular songs K1 Part songs K1 Madrigals K1 Social sciences K1 Communications K1 Semiotics K1 Cultural semiotics K1 Music semiology K1 Musical allegory K1 Music theory K1 Musical notation K1 Staff notation K1 Musical staves K1 Motets K1 High culture K1 Art music K1 Western art music K1 Renaissance music K1 Musical performance K1 Singing K1 Notated music K1 Music manuscripts K1 Literature K1 Literary genres K1 Poetry K1 Economics K1 Economic disciplines K1 Labor economics K1 Employment K1 Occupations K1 Artists K1 Musicians K1 Composers K1 Behavioral sciences K1 Anthropology K1 Applied anthropology K1 Cultural anthropology K1 Cultural institutions K1 Museums K1 Art museums JF I Tatti Studies in the Italian Renaissance VO 2 SP 91 OP 106 LK http://dx.doi.org/https://www.jstor.org/stable/4603654 DO https://www.jstor.org/stable/4603654 SF ELIB - SuUB Bremen
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