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The New Man as Cyborg: Figures of Technology in Weimar Visu..:

Biro, Matthew
New German Critique. , 1994

Link: https://www.jstor.org/stable/488510

RT Journal
T1 <Title>The New Man as Cyborg: Figures of Technology in Weimar Visual Culture</Title>

UL https://suche.suub.uni-bremen.de/peid=jstor-488510&Exemplar=1&LAN=DE
				
A1 Biro, Matthew
PB Telos Press
YR 1994
SN 0094-033X
SN 1558-1462
K1 Political science
K1 Political philosophy
K1 Political ideologies
K1 Authoritarianism
K1 Social sciences
K1 Gender studies
K1 Feminism
K1 Male gaze
K1 Arts
K1 Art history
K1 Art genres and movements
K1 Postmodern art
K1 Collage
K1 Photomontage
K1 Modernist art
K1 Dadaism
K1 Human geography
K1 Political geography
K1 Metropolitan areas
K1 Montage
K1 Communications
K1 Rhetoric
K1 Discourse
K1 Dialectic
K1 Behavioral sciences
K1 Anthropology
K1 Applied anthropology
K1 Cultural anthropology
K1 Cultural studies
K1 Film studies
K1 Movies
K1 Communications media
K1 Visual materials
K1 Images
K1 Photographs
K1 Business
K1 Business economics
K1 Commercial production
K1 Production engineering
K1 Industrial production
K1 Mass production
K1 Production automation
JF New German Critique
IS 62
SP 71
OP 110
LK http://dx.doi.org/https://www.jstor.org/stable/488510
DO https://www.jstor.org/stable/488510
SF ELIB - SuUB Bremen

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