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Theory and Practice in Composition:
Hans Gál
Music & Letters. 23 (1942) 1 - p. 37-49 , 1942
Link:
https://www.jstor.org/stable/728572
RT Journal T1 <Title>Theory and Practice in Composition</Title> UL https://suche.suub.uni-bremen.de/peid=jstor-728572&Exemplar=1&LAN=DE A1 Hans Gál PB Richard Capell YR 1942 SN 0027-4224 SN 1477-4631 K1 Arts K1 Performing arts K1 Music K1 Music theory K1 Music composition K1 Musical performance K1 Musical pitch K1 Musical intervals K1 Art theory K1 Psychology of art K1 Music psychology K1 Musical perception K1 Musical forms K1 Musical phrases K1 Tonal theory K1 Tonal harmony K1 Economics K1 Economic disciplines K1 Labor economics K1 Employment K1 Occupations K1 Artists K1 Musicians K1 Composers K1 Vocal music K1 Arts participation K1 Art education K1 Music education JF Music & Letters VO 23 IS 1 SP 37 OP 49 LK http://dx.doi.org/https://www.jstor.org/stable/728572 DO https://www.jstor.org/stable/728572 SF ELIB - SuUB Bremen
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