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Afterword:
Takemitsu, Tōru
;
Cronin, Tania
;
Tann, Hilary
Perspectives of New Music. 27 (1989) 2 - p. 206-214 , 1989
Link:
https://www.jstor.org/stable/833411
RT Journal T1 <Title>Afterword</Title> UL https://suche.suub.uni-bremen.de/peid=jstor-833411&Exemplar=1&LAN=DE A1 Takemitsu, Tōru A1 Cronin, Tania A1 Tann, Hilary PB Perspectives of New Music, Inc. YR 1989 SN 0031-6016 K1 Arts K1 Performing arts K1 Music K1 Musical instruments K1 Economics K1 Economic disciplines K1 Labor economics K1 Employment K1 Occupations K1 Artists K1 Musicians K1 Composers K1 String instruments K1 Lutes K1 Biwas K1 Music theory K1 Music composition K1 High culture K1 Art music K1 Nonwestern art music K1 Gamelan music K1 Musical performance K1 Music ensembles K1 Orchestras K1 Musical pitch K1 Musical modes K1 Orchestration K1 Behavioral sciences K1 Anthropology K1 Ethnology K1 Ethnography K1 Asian studies K1 East Asian studies K1 Japanese studies K1 Japanese music JF Perspectives of New Music VO 27 IS 2 SP 206 OP 214 LK http://dx.doi.org/https://www.jstor.org/stable/833411 DO https://www.jstor.org/stable/833411 SF ELIB - SuUB Bremen
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